浅析线条在当代青花瓷画中的运用与特性  

The Application and Characteristics of Lines in Contemporary Blue and White Porcelain Paintings

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作  者:刘祖英 李帅 Liu Zuying;Li Shuai(Liuzuying Ceramic Art Studio,Jingdezhen,330000;Shuo Zhou Ceramic Institute of Technology,Shuozhou City,038300)

机构地区:[1]刘祖英陶瓷艺术工作室,景德镇333000 [2]朔州陶瓷职业技术学院,朔州市038300

出  处:《陶瓷研究》2023年第2期126-128,共3页Ceramic Studies

摘  要:从唐代至当代,线条在青花瓷画中的运用经历了漫长的过程,并形成了鲜明的特点。线条在当代青花瓷画中的运用出现了许多新的变革,主要呈现出弱化、素描化和装饰化三种发展趋势。线条在当代青花瓷画中运用的特性主要表现为现代性、民族性和情感性。From the Tang Dynasty to the contemporary era,the application of lines in blue and white porcelain paintings has undergone a long process,and has formed distinct characteristics.There have been many new changes in the use of lines in contemporary blue and white porcelain paintings,mainly showing three development trends:weakening,sketching,and decoration.The characteristics of lines used in contemporary blue and white porcelain paintings are mainly manifested in modernity,nationality,and emotion.

关 键 词:线条 青花瓷画 运用 特性 

分 类 号:J527[艺术—艺术设计]

 

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