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作 者:侯甲熙 Hou Jiaxi(Jingdezhen Ceramic University,Jingdezhen,333403)
机构地区:[1]景德镇陶瓷大学,景德镇333403
出 处:《陶瓷研究》2023年第2期129-131,共3页Ceramic Studies
摘 要:关于艺术的泛化这一问题在近几年不断有人提出来,在当代语境中,艺术的边界已经变得越来越宽泛,各个艺术门类之间的界限逐渐模糊,艺术的泛化已然成为一种艺术的发展趋势和演变的过程。本文从现当代人们观念的转变导致陶瓷艺术被泛化的角度出发,从观念、材料、工艺三个层面对中国当代陶艺的“泛化现象”进行具体分析与整理。由于人们已经不满足于传统陶艺的形式美感对现代观念表达的诉求,开始将作品的主题、形式、观念当做创作的“工具”,陶艺在呈现方式和表现形式上具有极强的灵活性与随机性,陶艺从精英审美走向了大众审美,当代陶艺的“泛化现象”在此时此刻凸显了出来。中国当代陶艺的“泛化现象”一片繁荣的同时,也带来很多问题,比如,“陶艺泛化现象”导致艺术门类的界限变得模糊不清;当代陶艺泛化一定程度上导致了传统陶艺的衰落;许多陶艺家重在表现观念而失去个体间的个性差异等。笔者认为应当站在现当代文化语境之下,通过不断地实践与研究来消化这些新的陶艺观念、陶艺材料、陶瓷工艺,让这些东西在未来成为有创新性的对陶瓷艺术发展有利的艺术经验。The issue of the generalization of art has been constantly raised in recent years.In the contemporary context,the boundaries of art have become increasingly broad,and the boundaries between various art categories have gradually become blurred.The generalization of art has become a trend and evolution process of art.This article analyzes and organizes the"generalization phenomenon"of contemporary Chinese ceramic art from three aspects:concept,materials,and craftsmanship,starting from the perspective of the transformation of people's concepts in modern times leading to the generalization of ceramic art.Due to people being no longer satisfied with the demands of traditional ceramic art for the expression of modern concepts,they have begun to use the themes,forms,and concepts of their works as"tools"for creation.Ceramic art has strong flexibility and randomness in its presentation and expression.Ceramic art has moved from elite aesthetics to mass aesthetics,and the"generalization phenomenon"of contemporary ceramic art has become prominent at this moment.While the"generalization phenomenon"of contemporary Chinese ceramic art has flourished,it has also brought many problems.For example,the"generalization phenomenon of ceramic art"has blurred the boundaries of art categories;The generalization of contemporary ceramic art has to some extent led to the decline of traditional ceramic art;Many ceramic artists focus on expressing their concepts and lose individual differences.The author believes that we should stand in the context of modern and contemporary culture,digest these new ceramic concepts,materials,and techniques through continuous practice and research,and make these things innovative in the future favorable artistic experience for the development of ceramic art.
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