金石学背景下以浅绛彩瓷画及以“珠山八友”为代表的文人瓷画的碑意体现  

The Embodiment of Stele Meaning in Porcelain Painting with Light Crimson and the Literati Represented by"Eight Friends of Zhushan"in the Context of Epigraphy

作　　者：谌志宇 Chen Zhiyu(Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2023年第1期139-141,共3页Ceramic Studies

摘　　要：道咸时期,浅绛彩瓷画艺术开始萌生,同光时期达到繁盛,一直延续到清末民国时期。清末民国时期以“珠山八友”为代表的“文人瓷画”逐渐取代浅绛彩瓷画成为潮流。适逢清中期金石学研究下碑学书风极受追捧。金石学背景下的碑学运动作为书法审美与取法的新生力量,自然而然地影响到与之相关的姊妹艺术门类。本文即是从浅绛彩瓷画和“文人瓷画”的题款、绘印及“以碑意笔法入画”三方面来论述碑学运动对浅绛彩瓷画和“文人瓷画”的影响。During the Daoxian period,the art of porcelain painting in shallow-red porcelain began to emerge and flourished during the Tongguang period,continuing into the late Qing and Republican periods.In the late Qing and Republican periods,the'Eight Friends of Zhushan'porcelain painting of the literati gradually replaced the shallow-red porcelain painting as the trend.This coincided with the popularity of stele calligraphy under the study of Jinshi in the mid-Qing period.As a new force in the aesthetics of calligraphy and the acquisition of calligraphy,the Stele Study Movement in the context of Jinshi studies naturally influenced its related art disciplines.This article discusses the influence of the Stele Study Movement on shallow-red porcelain painting and'literati porcelain painting'in terms of inscriptions,painting marks and the'incorporation of stele-like brushwork into painting'.

关 键 词：碑学运动 浅绛彩瓷画 文人瓷画 

分 类 号：J527[艺术—艺术设计]