新世纪以来东北形象的银幕呈现与文化反思  

Screen Production and Cultural Reflection of the Image of Northeast China Since the New Century

作　　者：张婉宜 ZHANG Wan-yi(College of Music and Media,Shenyang University,Shenyang 110041,China)

机构地区：[1]沈阳大学音乐与传媒学院,辽宁沈阳110041

出　　处：《沈阳工程学院学报（社会科学版）》2023年第2期8-14,共7页Journal of Shenyang Institute of Engineering:Social Science

基　　金：辽宁省社会科学规划基金项目(L21CXW007)。

摘　　要：新世纪以来中国电影中呈现了诸多东北形象,它们隐形书写着东北的社会现实、文化历史,但缺乏艺术价值的东北形象无法真正体现东北的文化与地域民众的精神气质。部分电影有意突出东北文化的乡土特征,以此制造粗浅的笑料,并没能真正彰显东北文化精神,容易造成受众对东北的误读。打造具有文化艺术意蕴的东北形象,使多样化的东北形象出现在银幕上,不仅利于电影创作的良性发展,也能在一定程度上破除人们对东北的定势思维。Since the new century,Chinese films have presented many images of the northeast,which invisibly write the social reality and cultural history of the northeast,however,the image of Northeast China,which lacks artistic value,can not really reflect the culture of Northeast China and the spiritual temperament of the local people.Some films intentionally highlight the local characteristics of the northeast culture,to create shallow jokes,and can not really highlight the spirit of the northeast culture.In the process of film creation,it is not only beneficial to the sound development of film creation to create the image of Northeast China with cultural and artistic implications and to make the diverse image of Northeast China appear on the screen,it can also break people's stereotyped thinking of the northeast to a certain extent.

关 键 词：东北形象 银幕生产 艺术价值 东北文化 

分 类 号：J905[艺术—电影电视艺术]