从高克恭到萨都剌  

Process of Sinicization from Gao Kegong to Sa Dula

作　　者：刘淮南[1] LIU Huainan(Department of Chinese Language and Literature,Xinzhou Teachers University,Xinzhou 034000,Shanxi,China)

机构地区：[1]忻州师范学院中文系,山西忻州034000

出　　处：《铜仁学院学报》2023年第2期10-15,共6页Journal of Tongren University

摘　　要：高克恭和萨都剌是元代西域人华化过程中两位具有代表性的回族诗人。如果以“如在目前”和“见于言外”作为标准,高克恭是华化过程中第一位成熟的回族诗人,萨都剌则是元代诗歌的冠冕。而从题材的贴近现实、创作的风流蕴藉和形式的丰富多样来说,萨都剌又是更值得关注的对象。Gao Kegong and Sa Dula are two representative Hui people in the process of sinicization of natives from the Western Regions in the Yuan Dynasty.If "accurate description of current scenes" and "expressions beyond words" are taken as the standard,Gao Kegong is the first mature Hui poet in the process of sinicization,and Sa Dula is honored as the crown of poetry in the Yuan Dynasty.However,from the closeness to reality of the theme,the romantic implication in creation and the richness and diversity of forms,Sa Dula is more worthy of attention.

关 键 词：高克恭 萨都剌 华化 

分 类 号：I206.2[文学—中国文学]