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作 者:侯长林[1] 向笔群 孙向阳 庄鸿文 王棋君 晏武芳 唐竹英 HOU Changlin;XIANG Biqun;SUN Xiangyang;ZHUANG Hongwen;WANG Qijun;YAN Wufang;TANG Zhuying(Fanjing Education Research Institute,Tongren University,Tongren,Guizhou 554300,China;School of Humanities,Tongren University,Tongren,Guizhou 554300,China;Writing Research Institute,Tongren University,Tongren,Guizhou 554300,China)
机构地区:[1]铜仁学院梵净教育研究院,贵州铜仁554300 [2]铜仁学院人文学院,贵州铜仁554300 [3]铜仁学院写作研究院,贵州铜仁554300
出 处:《铜仁学院学报》2023年第2期65-76,共12页Journal of Tongren University
摘 要:2022年9月12日,“铜仁作家面对面”第二期文学沙龙活动在铜仁学院举行。来自贵州省文艺评论家协会、铜仁市文艺评论家协会、铜仁市作家协会以及铜仁学院的各位专家学者,围绕欧阳黔森长篇报告文学《江山如此多娇》开展研讨。侯长林认为,《江山如此多娇》这部报告文学的重要价值,在于运用良好的文学艺术形式书写了脱贫攻坚这一时代的大主题,是一部不可多得的新时代报告文学精品。向笔群认为,《江山如此多娇》作为报告文学,以现实主义的笔调书写了贵州脱贫攻坚的奋斗史诗,彰显了黔地人民勤劳、勇敢的内在精神。孙向阳则从故土情怀、语言风格以及充满诗情画意的标题等几个方面谈了《江山如此多娇》的艺术特征。庄鸿文从体裁的角度进行分析,指出《江山如此多娇》作为报告文学,代表着一种群体意识或被期待的群体意识,与中国大地脱贫攻坚的时代风云同呼吸,表现出作家对时代和社会的认知高度。王棋君从作品所体现出的整体观与全局观、乡土人物与时代变幻、官方数据与群众数据三个方面进行分析,指出其对贵州当下文学创作的启示。晏武芳从作品视野、选题与现场感等方面出发,探讨《江山如此多娇》作为报告文学的真实性、形象性和精准性。唐竹英则从创作者的角度,对作品的创作情感、求真精神、责任感与使命感进行解读,高度肯定了欧阳黔森的写作态度与使命担当。On September 12,2022,the second phase of the"Face to Face Literature Salon for Tongren Writers"was held at Tongren College.This activity mainly focuses on Ouyang Qiansen's long reportage Jiangshan Ru Ci Duo Jiao.Experts and scholars from Guizhou Literary Critics Association,Tongren Literary Critics Association,Tongren Writers Association,and Tongren College delivered special speeches.Hou Changlin believes that the important value of the reportage,lies in the use of good literary and artistic forms to write the major theme of the era of poverty alleviation,which is a rare masterpiece of reportage in the new era.Xiang Biqun believes that,as a reportage,Jiangshan Ru Ci Duo Jiao depicts the struggle epic of Guizhou's poverty alleviation in a realistic style,and demonstrates the hard-working and brave inner spirit of the people in Guizhou.Sun Xiangyang discussed the artistic characteristics of the reportage from several aspects,including hometown sentiment,language style,and poetic and picturesque titles.From the perspective of reportage genre,Zhuang Hongwen pointed out that as reportage,Jiangshan Ru Ci Duo Jiao represents a kind of group consciousness or expected group consciousness,breathing with the times of poverty alleviation in China,showing the writer's awareness of the times and society.Wang Qijun analyzes from three aspects:the holistic and holistic perspective reflected in his works,local characters and changes in the times,and official and mass data,pointing out his inspiration for the current literary creation in Guizhou.Yan Wufang discussed the authenticity,image and accuracy of the reportage from the perspectives of work vision,topic selection and sense of scene.Tang Zhuying interpreted the creative emotions,truth-seeking spirit,sense of responsibility and mission of the work from the perspective of the creator,highly affirming Ouyang Qiansen's writing attitude and mission.
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