元代蒙古族文人诗学性情论  

On Poetic Temperament of Mongolian Literati in Yuan Dynasty

作　　者：闫禾 YAN He(College of Arts,Inner Mongolia Normal University,Hohhot,Inner Mongolia,010010)

机构地区：[1]内蒙古师范大学文学院,内蒙古呼和浩特010010

出　　处：《集宁师范学院学报》2023年第1期76-83,共8页Journal of Jining Normal University

基　　金：内蒙古师范大学2020年度研究生科研创新基金项目“以‘性情’为核心的元代蒙古族诗人诗学思想研究”(项目编号:CXJJS20024)研究成果。

摘　　要：“性情”范畴多用以指代主体论,其衍生出的“吟咏性情”命题又与诗歌本体论、功能论有密切关联。及至元代诗学性情论指涉颇广,涉及自然、雅正、抒发个人性情和有益社会政教等多个方面。元代蒙古族文人从“吟咏性情”出发,对性情论作出了多角度的阐扬。僧家奴、燮理溥化、脱脱等人偏于吟咏社会情志,发挥世教作用;以萨都剌为代表的另一支偏于吟咏个人情志,但对社会问题也不乏关注。诸人对同一范畴作出不同方向的诠解是其来有自的,充分反映着元代华夷一体的文坛特征。探抉其诗学性情论有助于进一步全面把握元代诗学思想及时代特点。The category of"temperament"is often used to refer to the theory of subjectivity,and the proposition of"chanting temperament"derived from it is closely related to the ontology and functionalism of poetry.The theory of poetic temperament in Yuan Dynasty refers to a wide range,involving nature,elegance,expressing personal temperament and benefiting society,politics and education.Starting from"chanting temperament",Mongolian literati in Yuan Dynasty expounded the theory of temperament from many angles.Sengjianu,Xielipuhua,Tuotuo and others tended to chant social sentiments for worldly education.The other school,represented by Sadula,tended to chant personal feelings,but also paid attention to social problems.It is natural for them to interpret the same category in different directions,which fully reflects the literary characteristics of the integration of Han and ethnic?minorities in Yuan Dynasty.Exploring the poetic temperament theory is helpful to further grasp the poetic thought of Yuan Dynasty and the characteristics of the times.

关 键 词：元代诗学 蒙古族 性情 华夷一体 

分 类 号：I207.24[文学—中国文学]