舞台诗剧《只此青绿》的中国画意境美学研究  

Research on Artistic Conception of Chinese Painting in the Stage Poetic Drama Only This Green

作　　者：陈苗[1,2] CHEN Miao(Wuhan Universityof Technology,430070Hubei Wuhan;Hubei University of Education,430205 Hubei Wuhan)

机构地区：[1]武汉理工大学,湖北武汉430070 [2]湖北第二师范学院,湖北武汉430205

出　　处：《设计艺术研究》2023年第2期53-56,69,共5页Design Research

摘　　要：舞蹈诗剧《只此青绿》以其深厚的文化底蕴、浓郁的宋代美学意蕴、沉郁顿挫跌宕起伏的艺术表现力成为近年来最热门的舞剧之一,使宋代美学和传统绘画焕发了新的生机和活力。在《只此青绿》中蕴含着丰富的中国画意境美学思想,其中身体意象的诗性表达、时空交错的叙事结构、“可行、可望、可游、可居”的生命韵律,都体现了出“天人合一”“虚实结合”“情景交融”“三远法”“经营位置”等中国画意境美学思想。《只此青绿》通过“再生”与“重构”传统绘画艺术,让中国画意境美学在“转世”中得以重生,赋予了传统绘画现代的生机与活力。The dance poetic drama"Only This Green"has become one of the most popular dance dramas in recent years with its profound cultural heritage,strong aesthetic implication of the Song Dynasty,and its ups and downs artistic expression,which has made the aesthetics and traditional painting of the Song Dynasty glow with new vitality and vigor."Only This Green"contains rich aesthetic ideas of Chinese painting artistic conception.Among them,the poetic expression of body images,the narrative structure of time and space interlaced,and the rhythm of life of"feasible,promising,tourable and habitable"all reflect the aesthetic ideas of Chinese painting artistic conception such as"heaven and man are one","virtual and real combination","Scene blending","three far methods"and"business location".Through"regeneration"and"Reconstruction"of traditional painting art,"only green"rebirth the artistic conception aesthetics of Chinese painting in"reincarnation"and endows traditional painting with modern vitality and vigor.

关 键 词：舞台诗剧 只此青绿 中国画意境 美学 

分 类 号：J8[艺术—戏剧戏曲]