园主的神往:基于寄畅园诗画分析的图像再现  

Aspiration of the Owner:Visual Representation Based on Analysis of Jichang Garden's Poems and Paintings

作　　者：于梦淼 梁雯 YU Mengmiao;LIANG Wen(Tsinghua University,100084 Bejing)

机构地区：[1]清华大学,北京100084

出　　处：《设计艺术研究》2023年第2期136-139,共4页Design Research

基　　金：清华大学自主科研计划文化传承创新专项(2019THZWWH08)。

摘　　要：诗画创作是明清造园活动中与建成环境并行的重要组成部分,基于情境虚构的特征,诗画将园林引申为理想化的时空,成为了观者探析园林意境的重要媒介,而其中所投射的主体经验与价值体系,同样为挖掘园林个案的特殊性提供了契机。本文以明万历时期无锡寄畅园的诗画作品为主线,尝试从园主的视角出发,通过引入设计学的图像操作,挖掘并再现园林潜在的运作环境,并认为除了物质化的园林,借由诗画所虚构的意境往往诉说着中国古典园林的动人之处。The creation of poem-painting texts is parallel to built environment in traditional Chinese gardening of Ming and Qing Dynasty.Based on scenery fiction of poem-painting,the garden extends into an idealized time-space.Therefore,poem-painting becomes an important medium for us to research the Environmental Ideal-images of garden.The subject experience and value system projected in poetry-painting also provides an opportunity to uncover the particularity of individual gardens.This paper takes the poems and paintings of Jichang Garden in the period of Wanli in the Ming Dynasty as the research object,and tries to explore and represent the potential operating environment from the perspective of garden owner through design drawing.It argues that,in addition to the material garden,the artistic conception constructed by poetry-painting often speaks to the beauty of traditional Chinese gardens.

关 键 词：寄畅园诗画 主体经验 图像再现 园林意境 

分 类 号：J59[艺术—艺术设计]