从时空错位的身份重构论白先勇小说《一把青》的生命救赎  

The Redemption of Life Presented in Pai Hsien-Yung's A Touch of Green Touch of Greenfrom the Perspective of Identity Reconstruction in Temporal and SpatialDislocation

作　　者：张志帆 CHANG Chifan(School of Chinese Language and Literature,Zhaoqing University,Zhaoqing,Guangdong 526061,China)

机构地区：[1]肇庆学院文学院,广东肇庆526061

出　　处：《肇庆学院学报》2023年第3期90-95,102,共7页Journal of Zhaoqing University

摘　　要：白先勇小说《一把青》写出20世纪40年代外省族群颠沛流离到中国台北的地方想象。以霍米·巴巴的后殖民主义理论进行文学批评,结合文学地理的空间角度做文本探讨。主人翁朱青因国共内战被迫从南京迁移到中国台北生活,身为军眷的她,从历经丧夫之痛的彷徨无助到成为军中炙手可热的交际花。本论文借由其后殖民主义理论里的“阈限空间”概念,分析小说角色在空间移动过程的身体书写,进一步从空间的错位试图找寻朱青“他者身份”的重构,终于使她在大时代的纷乱里完成自我生命的救赎旅程。The novel A Touch of Green by Pai Hsien-Yung presents a place image of Mainland Chinese refugees who migrated to Taipei during the upheaval in the 1940s.This paper presents a literary criticism based on Homi Bhabha's postcolonial theory and a text discussion incorporating the spatial perspective of literary geography.The protagonist Zhu Qing was forced to move from Nanjing to Taipei because of the Chinese Civil War.As a military dependent,she went through the pain of losing her husband and became a popular socialite in the army.According to the concept of liminal space in postcolonial theory,this paper analyzes the body writing of Zhu Qing during spatial relocation to further identify the reconstruction of her otherness identity according to spatial dislocation,thereby providing a comprehensive insight into her journey of redemption in the time of turmoil.

关 键 词：白先勇 中国台北人 《一把青》 阈限空间 身体书写 

分 类 号：I247[文学—中国文学]