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作 者:孙一楠 Sun Yi’nan(Beijing Institute of Fashion Technology,Beijing 100029,China)
机构地区:[1]北京服装学院,北京100029
出 处:《纺织报告》2023年第3期63-65,共3页
摘 要:中国传统纹样是民间艺术瑰宝,广泛传播于民间,是中国优秀文化的重要组成部分,在悠久的历史长流中不断应用、传承与更新,形成了内涵丰富、具有独特情感及意象的多元文化,但吉祥纹样的设计初衷亘古不变,表达了人们对美好生活的向往。随着全球化经济快速发展,服装市场不断扩大,中国不断夯实文化软实力,开始大力挖掘传统文化元素。如何将传统吉祥纹样融入现代服装面料花型设计中,制作出真正本土设计的服装,成为服装设计领域的一大难题。Chinese traditional patterns are treasures of folk art,widely disseminated among the people,and are an important component of China’s excellent culture.They have been continuously applied,inherited,and updated over the long history,forming a multicultural culture with rich connotations and unique emotions and images.However,the original design intention of auspicious patterns remains unchanged,expressing people’s expectations for a better life.With the rapid development of the global economy and the continuous expansion of the clothing market,China has continuously consolidated its cultural soft power and begun to vigorously explore traditional cultural elements.How to integrate traditional auspicious patterns into modern clothing fabric flower pattern design to produce truly locally designed clothing has become a major challenge in the field of clothing design.
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