现代旅游场域下非物质文化遗产保护与传承的内生动力研究——基于长沙市火宫殿“糖画”制作的考察  

Research on the Endogenous Dynamics of Intangible Cultural Heritage Protection and Transmis‐sion in Modern Tourism Field-Investigation on the production of“Sugar Painting”in Chang‐sha Fire Palace

作　　者：谭卫华 谭玉娇 TAN Wei-hua;TAN Yu-jiao

机构地区：[1]湖南师范大学社会学系,长沙410081 [2]中国社科院历史研究院“朱鸿林工作室” [3]湖南师范大学公共管理学院,长沙410081

出　　处：《原生态民族文化学刊》2023年第3期129-139,156,共12页Journal of Ethnic Culture

基　　金：国家社科基金项目“长征红色文化遗产与中小学生中华民族共同体意识培育研究”(22BMZ089)。

摘　　要：新古典结构-功能论认为非物质文化遗产在现代旅游场域中形成了新的结构,发挥了新的功能。长沙市火宫殿本身作为非遗以及非遗传承场所,各主体之间形成了产业联盟的共生关系,其功能从最初单一的火神祭拜发展成了多神祭拜、文化传承等多元化的功能。“糖画”作为其中的传承主体之一,发展了新的制作形式和内容,在现代旅游场域中发挥了“旅游商品”的新功能。可见,非物质文化遗产并不总是处于静止不变的状态,而是在新的场域中形成新的功能和新的结构,即强大的内生动力。这种内生动力不仅有利于实现非遗的活态传承,而且可以形成竞争优势,促进旅游业的发展;反之,旅游的发展又促进非遗的活态传承。The neoclassical structure-function theory argues that intangible cultural heritage has formed a new structure and played a new function in the modern tourism field.As an intangible cultural heritage and intangi⁃ble genetic heritage site,the Fire Palace in Changsha City has formed a symbiotic relationship of industrial alli⁃ance among all subjects,and its functions have developed from the initial single worship of the fire god to diver⁃sified functions such as worship of multiple gods and cultural inheritance.As one of the inheritance subjects,“sugar painting”has developed new production forms and contents,and has taken on the new function of“tour⁃ism commodity”in the modern tourism field.As we can see,intangible cultural heritage is not always in a static state,but it forms new functions and new structures in new fields.This strong endogenous impetus not only helps to realize the living heritage of ICH,but also creates competitive advantages and promotes the develop⁃ment of tourism;in turn,the development of tourism promotes the living heritage of ICH.

关 键 词：非物质文化遗产 新古典结构-功能论 内生动力 活态传承 

分 类 号：C95[社会学—民族学]