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作 者:米高峰[1,2] 陈传志 MI Gao-feng;CHEN Chuan-zhi
机构地区:[1]陕西科技大学设计与艺术学院,西安710021 [2]陕西科技大学“一带一路”文化IP开发与设计研究中心,西安710021
出 处:《原生态民族文化学刊》2023年第3期140-152,156,共14页Journal of Ethnic Culture
基 金:国家社科基金重大项目(19ZDA333);陕西省教育厅重点项目(21JZ018)。
摘 要:国产少数民族动画作为传递和宣扬民族传统生态思想的重要媒介,在叙事文本与情感表达中,赓续了各民族内在的生存智慧与生态人文素养,在艺术塑造与审美意蕴中呈现了鲜明的民族生态价值观。从叙事视角、创作视角、审美视角三个方面综合审视国产少数民族动画的媒介艺术价值与生态审美内涵,通过探寻其创作题材中的民族生态意识来源,剖析其在动画媒介转化中的民族生态形象呈现,进而挖掘梳理其内在的生态审美意蕴。在国家全力推进生态文明建设背景下,这对于更好地利用动画媒介,激发受众群体的生态意识自觉与文化自信,铸就新时代生态人文精神具有重要社会价值与现实意义。As an important medium for the communication and promotion of traditional ethnic ecological thoughts,domestic animation works related to ethnic minority constantly embody the inherent wisdom of surviv⁃al and ecological humanism of various ethnic groups through narrative texts and emotional expression,which presents distinct ethnic ecological values by artistic construction and aesthetic implications.This paper,from narrative perspective,creation perspective and aesthetic perspective,provides a comprehensive examination on the media artistic value and ecological aesthetic connotation of domestic animation works related to ethnic minor⁃ity,explores the source of ethnic ecological consciousness regarding its creation subject,analyzes the presenta⁃tion of ethnic ecological image in the transformation of animation media,and then excavates and sorts out their inherent ecological aesthetic connotation.In the context of the national efforts to promote the construction of eco⁃logical civilization,this study is of great social value and practical significance to make better use of the anima⁃tion media,stimulating the ecological consciousness and cultural confidence of the audience,and forge the eco⁃logical humanistic spirit in the new era.
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