从北大汉简《妄稽》和敦煌《丑妇赋》看俗赋流转  

On circulation of vulgar Fu from Wang Ji in Han bamboo slips of Peking University and Ugly Woman Fu in Dunhuang

作　　者：陈蕾 CHEN Lei(School of Literature,Guizhou Normal University,Guiyang 550025,Guizhou,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《河南理工大学学报（社会科学版）》2023年第3期37-42,共6页Journal of Henan Polytechnic University:Social Sciences

摘　　要：1900年敦煌藏经洞的开启使俗赋进入研究者视野,而2009年入藏北大的西汉竹简也有故事类俗赋,有力证实了在文人弃俗从雅的散体大赋、抒情小赋之外,还存在以讲演故事、滑稽幽默为旨趣的俗赋,这为西汉至唐的俗赋演进扣上了极为重要的一环。其中北大汉简《妄稽》与敦煌《丑妇赋》都以家庭婚姻生活为题材,分别塑造了一位内外皆丑的女性,以此可以窥见从汉至唐的俗赋在意蕴主题、形式语言、赋诵艺术三方面的传承与新变。The opening of the Dunhuang Sutra cave in 1900 brought the vulgar Fu into the researchers'vision,and the bamboo slips of the Western Han Dynasty that was collected by Peking University in 2009 also had story of vulgar Fu.It has strongly proved that in addition to the large prose Fu and lyric small Fu abandoned by literati,there were also vulgar Fu focusing on stories and funny humor,which played a very important role in the evolution of the vulgar Fu from the Western Han Dynasty to the Tang Dynasty.Among them,Wang Ji in the Han bamboo slips of Peking University and Ugly Woman Fu in Dunhuang both describe family and marriage life,depicting a woman with a ugly look and bad evil.From this,we can see the inheritance and new changes of folk Fu from the Han Dynasty to the Tang Dynasty in three aspects:implication theme,language form and Fu recitation art.

关 键 词：妄稽 丑妇赋 俗赋 流转 

分 类 号：I206[文学—中国文学]