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作 者:杨文婷[1] YANG Wenting(Minzu University of China,Beijing 100081)
机构地区:[1]中央民族大学,北京100081
出 处:《浙江万里学院学报》2023年第3期65-69,共5页Journal of Zhejiang Wanli University
摘 要:“抒情”是近年来具有广泛影响力的重要议题,厘清“抒情”话语建构的过程及其内涵,将之视为一种新的方法、视角来切入20世纪40年代王西彦创作的乡土小说《村野恋人》,重新打捞在特殊的历史时期被忽略的、与众不同的抒情声音。追溯其独特的文学源头,既有鲁迅式的忧患意识,又深受沈从文呼唤人性和诗的抒情观念影响。《村野恋人》用坚韧的人性和执着的追求来反抗历史暴力,承载着作家的理想。在继承京派抒情化乡土小说风格的基础上,王西彦结合自身的乡村体验有所变化,使得他的乡土书写呈现出别样的抒情风貌。“Lyricism”is an important topic with extensive influence in recent years.To clarify the process of the discourse construction and the connotation of“lyricism”would provide a new method and angle to interpret the vernacular novel Lovers in the Village written by Wang Xi-yan in 1940s and review the different lyrical writing in the special historical period.Looking back at his unique literary resources,we could find that he was deeply influenced by Lu Xun’s worries and Shen Cong-wen’s emphasis on human nature in art and lyrical poetry.The lyricism in Lovers in the Village carries the writer’s ideal of resisting the violence of history with tenacious humanity and persistent pursuit.On the basis of inheriting the previous Beijing School’s lyric local novel style,Wang Xi-yan’s local writing presents a different lyric style in combination with his own rural experience.
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