生存与艺术之间——论尤金·奥尼尔1917—1923年的戏剧创作  

Between Survival and Art--On Eugene O'Neill's Drama Creation from 1917 to 1923

作　　者：盛菀[1,2] SHENG Yu

机构地区：[1]浙江工业大学外国语学院,杭州310014 [2]南京大学

出　　处：《浙江艺术职业学院学报》2023年第1期55-61,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：在美国商业戏剧大行其道的十九世纪末,奥尼尔投身于小剧场运动创作的一系列独幕剧赢得了一些声誉。小剧场微薄的票房收入很难支撑实验戏剧的制作和巡演,实验探索之路极为艰难。因此,奥尼尔1917—1923年创作的几部叫好又叫座的作品显现出百老汇商业剧的诸多特征,在题材选择、剧本结构、情节设置、戏剧语言上都带有对观众心理和社会热点考量的明显痕迹。在资本与艺术理想的博弈下,奥尼尔致力于使剧场成为表达现代思想的平台。凭借几部高票房收入和普利策奖作品,1923年成了奥尼尔创作生涯中重要的分野,他终于不再捉襟见肘,走出了生存与艺术之间的夹缝,获得了完全的创作自由。At the end of the nineteenth century American commercial dramas dominated the American theaters,while Eugene O'Neill gained some reputation for a series of one-act plays in the experimental theater.The meager box office revenue of the experimental theater was impossible to support the production and tour,and the creation of modern drama struggled to survive.Therefore,some O'Neill's early well-known plays show some characteristics of Broadway commercial dramas in theme selection,script structure,plot setting,and dramatic language.O'Neill was finally off hardship and poverty,and had a strong voice in the creation of modern drama in 1923.

关 键 词：尤金·奥尼尔 1917—1923 商业戏剧 美国现代戏剧 实验戏剧 

分 类 号：J803[艺术—戏剧戏曲]