露筋女传说与米芾《露筋之碑》的创作及流传  

Lujin legend and the creation and circulation of Mi Fu’s The Stele of Lujin

作　　者：王旭 刘凤冉 WANG Xu;LIU Fengran(College of Social Sciences,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学社会发展学院,江苏扬州225002

出　　处：《浙江师范大学学报（社会科学版）》2023年第3期67-74,共8页Journal of Zhejiang Normal University(Social Sciences)

基　　金：扬州大学中国大运河研究院开放课题重点项目“大运河国家文化公园建设背景下瓜洲古镇的历史地位与旅游开发研究”(DYH202113)。

摘　　要：米芾《露筋之碑》的记述对象是北宋时期广泛流传于江淮流域的露筋女传说。该传说在南北朝时期的原型是鹿,唐代时江淮流域的生态环境发生变化,传说对象遂由鹿演变成人(醉汉)。北宋中前期,传说对象由醉汉演变成孝女,继而演变为贞女。《露筋之碑》的内容并不能证明米芾具有强烈的贞节观念,而是其特定时期对于自己官场境遇的情感表达载体。明清时期,由于《露筋之碑》的文化指向符合理学家强调女性贞节行为的价值趋向,故被士大夫不断宣扬,这在一定程度上提升了该碑的地位和流传度。反过来,由于该碑出自名家之手,后人争相拓印、收藏、临摹,使得露筋贞女的形象深入人心,并扩大了传说的影响力。The Stele of Lujin,Mi Fu’s Calligraphic work,was about the legend of a woman Lujin,which was widely spread in the Yangtze-Huaihe basin in the Northern Song dynasty.The prototype in the story was a deer in the Northern and Southern dynasties.In the Tang dynasty,the local ecological environment changed and the character was transformed from a deer to a drunkard.Before Mid-Northern-Song dynasty,the character changed again to be a filial girl and then a virgin woman.Such content shows more about Mi Fu’s personal feelings in officialdom than expressing his strong sense of chastity.In the Ming and Qing dynasties,the value orientation in the stele coincided with Neo Confucianism.Therefore,scholar-bureaucrats used it to propagate the concept of female chastity,which,to some extent,helped spread and popularize the stele.On the other hand,later generations scrambled to rub,collect and facsimile it,which made the chastity character Lujin become a solid symbol and amplified the influence of the legend.

关 键 词：米芾 露筋之碑 露筋女传说 贞节观念 

分 类 号：K244[历史地理—历史学]