位于现代与后现代之间——基于对德波景观社会理论的解读  

Between Modern and Postmodern--Based on the Interpretation of Debord's Theory of the Society of Spectacle

作　　者：王璐婵 Wang Luchan

机构地区：[1]武汉大学马克思主义学院

出　　处：《马克思主义哲学研究》2022年第2期235-243,共9页Marxist Philosophical Research

摘　　要：基于现代与后现代的分析视角,德波的景观社会理论兼具现代与后现代的价值规范与理论气质。在聚焦视点方面,景观社会理论既强调对整个现代社会进行现代图式的整体叙事,又关切日常生活实现后现代图式的微观解放;在分析理路方面,景观社会理论既沿用了现代性规划下的商品生产逻辑,又融合了后现代诉求中的视觉图景逻辑;在消解路径方面,景观社会理论既追随了现代性规范下的阶级革命传统,又设想并践行了具有后现代笔墨的情境建构主张。Based on the analytic perspective of modern and postmodern,it can be found that Debord's theory of the society of spectacle has valuable norms and theoretical temperament of modern and postmodern at the same time.In terms of the focused viewpoint,the theory of the society of spectacle not only emphasizes the overall narrative of modern schemas for the entire modern society,but also concerns about the micro-liberation of postmodern schemas in daily life.In terms of the analytic path,the theory of the society of spectacle not only extends and uses the logic of commodity production under the planning of modernity,but also integrates the logic of visual sceneries among the pursuit of postmodernism.In terms of the path of eliminating,the theory of the society of spectacle not only follows the tradition of class revolution under the norms of modernity,but also imagines and practices the advocacy of constructed situations with postmodern implication.

关 键 词：德波 景观社会 现代性 后现代主义 

分 类 号：B089.1[哲学宗教—哲学理论]