“万寿无疆”陶瓷纹样的审美主体与文化内涵迭变  

The Aesthetic Subject and Cultural Connotation of the Ceramic Pattern Longevity"

作　　者：张慧[1] 怀康 Zhang Hui;Huai Kang(Shandong University of Technology)

机构地区：[1]山东理工大学

出　　处：《景德镇陶瓷》2023年第2期37-40,共4页Jingdezhen Ceramics

摘　　要：“万寿无疆瓷”的出现虽仅有200多年,但其经历了清王朝的繁荣与衰败、旧中国的风雨飘摇与新中国的繁荣昌盛,使得其内涵更为丰厚。从对封建等级制度、强权政治、统治阶级的维护、祝颂到人民大众自发对伟人、新中国、新生活的祝愿与憧憬;从封建等级区隔到劳动人民的情感表现;从帝王专用到人民皆享。“万寿无疆瓷”的审美主体与文化内涵均发生了巨大的转变,它不仅是人们对祖先传统文化的显性表现与传承创新,更是新中国崛起的见证者。Although the appearance of"Longevity Porcelain"is only more than 200 years,it has experienced the prosperity and decline of the Qing Dynasty,the precarious times of old China,and the prosperity of New China,making its connotation more abundant.From the maintenance and praise of the feudal hierarchical system,authoritarian politics,and ruling class,to the spontaneous wishes and longings of the people for great men,New China,and new life;from feudal hierarchical barriers to emotional expressions of laboring people;from emperor's exclusive use to people's enjoyment.The aesthetic subject and cultural connotation of"Longevity Porcelain"have undergone tremendous changes.It is not only the explicit manifestation and inheritance and innovation of traditional culture by people but also a witness of the rise of New China.

关 键 词：万寿无疆瓷 审美主体 文化内涵 

分 类 号：J527[艺术—艺术设计] K876.3[历史地理—考古学及博物馆学]