非遗口述史与艺术设计史比较探究——以贵州苗绣非遗传承人口述史为例  

A Comparative Study on the Oral History of Intangible Cultural Heritage and the History of Art and Design:Taking the Oral History of Guizhou Miao Embroidery Intangible Cultural Heritage Inheritors as an Example

作　　者：廖元刚 姚绍将 LIAO Yuangang;YAO Shaojiang(Guizhou Miao Embroidery Culture Protection and Development Research Center,Kaili University,Kaili 556000,China)

机构地区：[1]凯里学院贵州苗绣文化保护与发展研究中心,贵州凯里556000

出　　处：《西部皮革》2023年第10期108-111,共4页West Leather

基　　金：2021年贵州省高等学校教学内容和课程体系改革项目“依托特色与创新发展:贵银、苗绣特色课程群建设及学科专业特色发展探究”(2021323)阶段性成果之一。

摘　　要：贵州苗绣是国家级非物质文化遗产之一,代表苗族织染类艺术的最高成就。苗绣非遗传承人是传承苗绣最重要的人力资源,也是延续纯粹苗绣的主体,对苗绣传承人进行口述史记录是苗绣最佳抢救途径之一。通过非遗口述史与艺术设计史的对比,发现两者既有区别,也有共同点,二者并线发展,都是了解人类艺术发展历史的重要途径。Guizhou Miao embroidery is one of the national intangible cultural heritages,representing the highest achievement of Miao weaving and dyeing art.The inheritor of Miao embroidery's intangible cultural heritage is the most important human resource for inheriting Miao embroidery,and is also the sole subject for continuing pure Miao embroidery.Oral history recording of Miao embroidery inheritors is one of the best ways to rescue Miao embroidery.Through the comparison of oral history of intangible cultural heritage and history of art design,it is found that there are differences and commonalities between them.The parallel development of the two is an important way to understand the development history of human art.

关 键 词：非遗口述史 设计史 苗族刺绣 

分 类 号：J523.6[艺术—艺术设计]