间离、残酷与写意——跨文化戏剧视角下林兆华先锋话剧民族化探索  

Alienation,Cruelty and Imaginativeness--Edward Lam's Exploration of the Nationalization of Avant-Garde Spoken Drama from a Cross-cultural Perspective

作　　者：李静 Li Jing

机构地区：[1]郑州轻工业大学外国语学院

出　　处：《戏剧（中央戏剧学院学报）》2023年第2期134-144,共11页Drama:The Journal of the Central Academy of Drama

基　　金：河南省高等学校哲学社会科学创新团队建设计划资助(项目编号:2023-CXTD-08);郑州轻工业大学博士科研基金资助(项目编号:2022BSJJSK11)的阶段性成果。

摘　　要：林兆华对叙述感和非语言表演的探索反映了他的先锋话剧民族化轨迹。20世纪80年代,有叙述性剧本作支撑,林兆华和谐地结合了叙述感和非语言表演。20世纪90年代以来,林兆华尝试在对话性剧本基础上建立叙述感,同时探索非语言表演的残酷性或写意性。当叙述感没有成功建立起来时,非语言表演独立传达残酷意义;当叙述感不完全建立时,非语言表演与叙述感同时传达残酷意义;当叙述感完全建立后,非语言表演则在残酷和写意之间自由切换。林兆华既借鉴西方先锋戏剧表演理念,又实现中国传统戏剧精神的回归。Lin zhaohua's exploration of the sense of narration and non-verbal performance reflects the nationalization of his avant-garde spoken drama.In the 1980s,with the support of narrative script,the sense of narration and non-verbal performance were harmoniously combined.Since the 1990s,Lin attempts to establish the sense of narration on the basis of dialogic scripts,while exploring the cruelty or imaginativeness of non-verbal performance.When the sense of narrative fails to be established,the non-verbal performance conveys the cruelty independently.If partially established,the sense of narrative conveys the cruelty simultaneously with the non-verbal performance.When the sense of narrative is fully established,the non-verbal performance freely switches between cruelty and imaginativeness.Lin both draws on ideas of Western avant-garde theatrical performance and re-establishes the traditional spirit of Chinese operas and drama.

关 键 词：叙述感 非语言表演 间离 残酷 写意 

分 类 号：J82[艺术—戏剧戏曲]