民国时期《北洋画报》对女性画家的形象构建  

The Image Construction of Female Painters in Beiyang Pictorial during the Republic of China

作　　者：曹铁铮[1] 曹铁娃 Cao Tiezheng;Cao Tiewa(School of Art&Design,Tianjin Institute of Technology,Tianjin 300384,China;Research Institute of Meticulous Style Painting of Tianjin University,Tianjin 300072,China)

机构地区：[1]天津理工大学艺术学院,天津300384 [2]天津大学工笔重彩研究所,天津300072

出　　处：《艺术与设计（理论版）》2023年第4期134-137,共4页Art and Design

基　　金：天津市艺术科学规划项目“民国时期天津美术社团的传播网络与历史贡献研究”(项目编号C18031)成果之一。

摘　　要：民国时期《北洋画报》对女性画家进行了长期报道,将这一边缘群体推向大众视野,使受众对女性画家群体给予了更多的了解、关注,促进了以天津地区为代表的女性美术教育的发展。文章从议程设置理论的视角,分析《北洋画报》对女性画家及其群体的报道内容与方式,探究其对民国女性画家的形象构建和对女子美术教育发展的促进作用。During the Republic of China period,Beiyang Pictorial carried out a long-term report on female painters,pushed this marginal group into the public field of vision,and made the audience give more understanding and attention to female painters,it has promoted the development of female art education represented by Tianjin area.From the perspective of agenda-setting theory,this paper analyzes the contents and ways of the report on female painters and their groups in Beiyang Pictorial,this paper probes into the image construction of the female painters in the Republic of China and the promotion of the development of the female art education.

关 键 词：议程设置 民国时期 女性画家 天津女子美术社团 

分 类 号：G237[文化科学] J203[艺术—美术]