茅盾文学奖的现代性想象和传统生态——以茅盾文学奖终评(提名)落选的五部革命叙事作品为中心  

The modern imagination and traditional ecology of Mao Dun Literary Award Focus on the five revolutionary narrative works that were nominated for the final evaluation(nomination)of the Mao Dun Literary Award

作　　者：徐亮 XU Liang(College of Chinese Language and Literature,Fujian Normal University,Fuzhou 350007,Fujian,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《河南理工大学学报（社会科学版）》2023年第4期93-99,共7页Journal of Henan Polytechnic University:Social Sciences

摘　　要：迄今已历经十届的茅盾文学奖评选,就革命叙事而言,共有十部作品获奖,这些获奖作品对新型国家现代性形象的想象与主流价值要求有高度吻合性。反观在茅盾文学奖终评(提名)环节落选的五部革命历史题材作品,却因其先锋探索姿态与主旋律意识形态属性的疏离、革命魅惑中的历史虚无性改写与宏大历史明确性表达的相背、民间文化观念的另类化彰显与弘扬时代精神的悖反等诸种缘由,而遭受冷落乃至拒斥,鲜明地体现出以茅盾文学奖为代表的主流话语价值评价体系所具有的包容度和限度。So far,after ten Mao Dun Literary Awards,a total of ten works has been awarded for revolutionary narrative.These award-winning works are highly consistent with the imagination and mainstream value requirements of the new national modern image.On the other hand,the five revolutionary historical works that were defeated in the final evaluation(nomination)of Mao Dun Literary Award are contrary to the grand historical clarity expression because of the alienation of the ideological attributes of the pioneering exploration posture and the main melody,and the historical nihilism in the charm of the revolution.The alternatives of folk culture concepts show the reasons for the contradiction and anti-reversal of the spirit of the times,and suffers from snubbing and even rejection,which clearly reflects the tolerance and limits of the mainstream discourse value evaluation system represented by Mao Dun Literary Award.

关 键 词：茅盾文学奖 革命叙事 终评(提名)落选 现代性想象 传统生态 

分 类 号：I207[文学—中国文学]