The Topological Deformation of Brave Female Images in Shakespeare’s Plays:A Case Study of Juliet,Portia and Cordelia in Zhu Shenghao’s Translation  

作　　者：YANG Fei-ran 

机构地区：[1]College of International Studies,Southwest University,Chongqing,China [2]Office of International Cooperation and Exchange,Guizhou University of Engineering Science,Bijie,Guizhou,China

出　　处：《Journal of Literature and Art Studies》2023年第4期237-247,共11页文学与艺术研究（英文版）

摘　　要：The female images in Shakespeare’s plays are diverse and colorful,showing the typological deformation value of topology.The brave female women in his plays,such as Juliet in Romeo and Juliet,Portia in The Merchant of Venice,Cordelia in King Lear,are the same type and equivalent topological deformation.In artistic terms,the three women of the same type with their own characteristics are the deformed topological space under the principle of equivalence,which is embodied vividly in the source text.This thesis purposed to investigate whether the translation of Zhu Shenghao also reflected the equivalent deformation of Shakespeare’s original text.This study texts the validity of the target text from the source text,proves the evaluation mechanism and function of topology in the process of translation and explains how the translation is equivalent to the original.

关 键 词：SHAKESPEARE topological deformation Zhu Shenghao Juliet PORTIA Cordelia 

分 类 号：H31[语言文字—英语]