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作 者:奇洁[1] Qi Jie
机构地区:[1]北京画院,北京100026
出 处:《文博学刊》2023年第1期102-111,共10页Journal of Archaeology and Museology
摘 要:通过梳理《西园雅集图》传世绘画作品,以及考证传为米芾的《西园雅集图记》,发现明代中后期时人对《西园雅集图》的描绘达到了顶峰,呈现出一个时代对西园雅集绘画题材的钟爱。另外,从各版本的米芾作品集中发现,《西园雅集图记》作为米芾的传世作品需要谨慎考证。同时《西园雅集图记》大量出现在文本、书籍和法帖上,时代均指向晚明万历年间。于是,难以寻源的李公麟《西园雅集图》与可能并非米芾所作《西园雅集图记》巧合般地在晚明时代结合,并被一再演绎。This study sorts out the extant paintings of"Elegant Gathering in the Western Garden",and conducts literature textual research on"The Record of Elegant Gathering in the Western Garden"which was attributed to Mi Fu.It is found that the depiction of"Elegant Gathering in the Western Garden"reached its peak in the middle to late Ming dynasty,presenting a special fondness of an era for the theme of Elegant Gathering in the Western Garden.According to various editions of Mi Fu's collection,"The Record of Elegant Gathering in the West Garden"attributed to Mi Fu requires careful examination of the authorship."The Record of Elegant Gathering in the Western Garden"appears extensively in texts,books,and rubbings,all of which are dated to the Wanli period of the late Ming dynasty.Therefore,Li Gonglin's"Elegant Gathering in the Western Garden"with unknown source and"The Record of Elegant Gathering in the Western Garden"by Mi Fu or unidentified author,coincidentally prevailed and repeatedly interpreted in the late Ming period.
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