中国小提琴音乐的民族化表现与发展道路探析  

On the Nationalization of Chinese Violin Music and Its Development Path

作　　者：孙婷婷 SUN Tingting(Art College,Minnan Normal University,Zhangzhou 363000,China)

机构地区：[1]闽南师范大学艺术学院,福建漳州363000

出　　处：《集美大学学报（哲学社会科学版）》2023年第3期85-92,共8页Journal of Jimei University：Philosophy and Social Sciences

基　　金：福建省中青年教师教育科研项目(JAS20174)。

摘　　要：中国小提琴音乐的民族化发展历程具有显著的时代性、地域性和创新性特征,并在艺术主题、创作题材、人物形象、作品情节等文化审美层面以及旋律素材、演奏技法等音乐语言层面呈现出浓郁的民族化表现。中国小提琴音乐的民族化具有重要的时代价值,不仅为小提琴艺术在国内的普及与传播提供了必要土壤,也为中国传统民族音乐的发展和传播开辟了道路。新时代的中国小提琴音乐民族化发展道路应坚持民族化的音乐创作,探索民族化的演奏技法,并大力推广民族化作品,从而促进小提琴音乐民族化的创新发展,向世界展现中国的传统民族音乐美学。The nationalization of Chinese violin music has significant characteristics of times,regionalism and innovation,and it shows strong nationalization in the aspects of artistic theme,creation theme,characterization,plot and other cultural aesthetics,as well as the aspect of musical language such as melody material and playing techniques.The nationalization of Chinese violin music is of great value in that it not only provides necessary soil for the popularization and dissemination of violin art in China,but also opens up a path for the development and dissemination of Chinese traditional folk music.The development path of Chinese violin music nationalization in the new era should insist on nationalized music creation,explore nationalized playing techniques,and vigorously promote nationalized works,so as to promote the innovation and development of violin music nationalization,and to show the aesthetics of Chinese traditional folk music to the world.

关 键 词：中国小提琴音乐 民族化 发展道路 

分 类 号：J6[艺术—音乐]