霍桑小说的视觉叙事与主体思想研究——以《红字》中珠儿的视觉建构为例  

Visual Narratives and Concepts of Subjectivity in Hawthorne’s Novels:Illustrated by the Visual Construction of Pearl’s Subjectivity in The Scarlet Letter

作　　者：段国重[1] 黄靖 DUAN Guo-zhong;HUANG Jing(College of International Studies,Yangzhou University,Yangzhou 225009,Jiangsu,China)

机构地区：[1]扬州大学外国语学院,江苏扬州225009

出　　处：《重庆工商大学学报（社会科学版）》2023年第3期172-180,共9页Journal of Chongqing Technology and Business University：Social Science Edition

基　　金：江苏省教育厅高校人文社科基金项目(2016SJB750028)“美国文艺复兴文学中的主体间性伦理研究”。

摘　　要：霍桑在其小说中大量运用视觉叙事,目的在于对话爱默生超验主义思想中的神性视觉体验,以及西方二元对立视觉中心主义思想。霍桑在塑造珠儿这一令人费解的女童形象时,运用视觉叙事手段从主体延宕、主体构建,以及主体间伦理三个方面入手,呈现了主体建构的视觉性特征,以及主体间视觉关系中所蕴含的社会、心理、伦理内涵,解构了超验主义式的本质主义主体观。Hawthorne’s novels are featured with visual narratives,which work as a dialogue with the divine visual experiences depicted in Emersonian transcendentalism,as well as with the ocular-centrism rooted in the dualism in the Western tradition.In creating the enigmatic image of Pearl by means of representing subject différance,subject construction,and intersubjective ethics,Hawthorne employs visual narrative strategies to represent the visual aspects of subjectivity and to lay bare the social,psychological,and ethical elements in intersubjective visual experiences,so as to deconstruct the transcendentalist view of the essentialist subject.

关 键 词：《红字》 珠儿 视觉叙事 主体思想 伦理距离 

分 类 号：I712.074[文学—其他各国文学]