《长空之王》虚拟摄制中光影运动的创作探索  

The Exploration of Virtual Photography in the Light and Shadow Movement of Born to Fly

作　　者：陈奕[1,2] Chen Yi

机构地区：[1]浙江传媒学院电影学院 [2]时光坐标传媒科技

出　　处：《电影艺术》2023年第3期142-146,共5页Film Art

摘　　要：对运动和光影的探索是电影艺术家们孜孜不倦的核心创作手段。正是多变的镜头运动和丰富的光影造型所营造的影像节奏形成了电影独特的叙事风格,吸引着观众的目光。《长空之王》作为以中国新一代空军试飞员成长为核心题材的电影,因现代超音速战斗机运动的高速、复杂和灵活多变的特点,对影片的创作和拍摄提出了新的课题,而虚拟技术又因为其在实时交互、多维视角、光影反射、快速调整等领域的独特优势,为电影的动作镜头创作提供了全新的可能。Movement and light are central creative tools that film artists have tirelessly explored.It is the rhythm created by the varied camera movements and the richness of light and shadow shapes that form the film's unique narrative style and captivate the audience's attention.As a film with the growth of a new generation of Chinese air force test pilots as its core theme,Born to Fly poses new issues for the creation and filming of the film due to the high speed,complexity and flexibility of modern supersonic fighter movements,and the emergence of vitual technology,with its unique advantages in the fields of real-time interaction,multi-dimensional perspectives,light and shadow reflections,and rapid adjustments,offers new possibilities.

关 键 词：虚拟拍摄 动作类型电影 运动摄影 电影光影 

分 类 号：J931[艺术—电影电视艺术]