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作 者:黄金东[1] Huang Jindong
机构地区:[1]中央民族大学图书馆
出 处:《故宫博物院院刊》2023年第5期115-123,131,共10页Palace Museum Journal
基 金:国家社科基金项目“中华民族共同体的历史图像表征:《皇清职贡图》研究”(项目编号:21BMZ089);北京社科基金重大项目“北京地区馆藏清代南方民族图册的整理与研究”(项目编号:22ZDA08)的阶段性成果。
摘 要:《皇清职贡图》版本多样,就制成时间先后有彩绘本、写本与刻本三种。不同版本的《皇清职贡图》虽然内容相同,但流传和受众却各有不同。其中彩绘本主要陈设于宫廷,向皇帝和大臣展示;写本存于宫廷和地方官府藏书楼,重在阅览和利用;刻本流传面最为广泛,既用于陈设和颁赏,也鼓励其在民间流传和利用。透过《皇清职贡图》各种版本的存放和流传,可以探讨其背后潜在的政治动机。The Chinese historical classics of‘Huang Qing Zhi Gong Tu',‘The Documentary Illustration on Envoy with Tribute Bearers'in English,is completed in three editions including colored-pictorial,hand-written and block-printed altogether.In spite of the shared content,they each are circulated and popularized among the different social classes.The coloredpictorial edition mainly supplies the royal court to be presented to the emperor and the ministers;the hand-written edition is usually stored in the library of both royal and local government for consultation;the block-printed edition is the most popularized for both furnishing decoration and appreciation,which is made publicized meanwhile.The circulations and editions of‘Huang Qing Zhi Gong Tu'(‘The Documentary Ilustration on Envoy with Tribute Bearers')are actually embodied with the political motives hidden behind.
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