网络文学原生评论的形态、特征与意义  

The Form,Characteristics and Significance of Original Online Literary Criticism

作　　者：江秀廷 Jiang Xiuting

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《中国文学批评》2023年第2期131-140,191,192,共12页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金重大项目“中国网络文学评价体系建构研究”(18ZDA283)阶段性成果。

摘　　要：研究网络文学,离不开对网络文学原生评论的透视。网络文学原生评论是一个较为复杂的概念,需要从评论主体、存在空间、话语内容和形式等多个方面界定。网络文学原生评论的形态主要包括在线化注疏、多媒体挂载和体认式评价,由网络技术、商业机制、管理机构等构成的评论场推动其发展。与传统文学批评相比,网络文学原生评论具有超文本偏移、交互性表演和自指性倾向三个特征。网络文学原生评论在文学创作、理论建设和评价体系构建等方面发挥着重要作用,但其自身也存在着一定的局限性。The concept of original online literary criticism is complex,which needs to be defined in terms of authorship,medium,discourse and content,and form.The form of original online literary criticism mainly includes online annotation,multimedia uploading and corporative evaluation,and is driven by a commentary field constituted by network technology,commercial mechanism and management institutions:Compared with traditional literary criticism,original online literary criticism is characterized by three features:hypertextual drift,interactive performance and self-reference.This criticism plays an important role in literary creation,theoretical construction and evaluation system construction,but it also has its own limitations.

关 键 词：网络文学原生评论 评论场 体认式评价 自指性 

分 类 号：I206.7[文学—中国文学]