显性进程中的世俗叙事与隐性进程中的神圣叙事——重审普希金《渔夫和金鱼的故事》的多重叙事进程  

The Secular Narration in the Dominant Process and the Sacred Narration in the Covert Progression:A Review of the Multiple Narrative Progression of Pushkin's The Tale of the Fisherman and the Goldfish

作　　者：吴静之 WU Jing-zhi(College of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《廊坊师范学院学报（社会科学版）》2023年第2期41-47,共7页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：2021年天津市研究生科研创新项目“俄罗斯大文化语境中的阿列克谢耶维奇研究”(2021YJSB064)阶段性成果。

摘　　要：中外学界对普希金《渔夫和金鱼的故事》的评价逐渐形成一种阐释的禁锢,即普遍认为这篇童话诗基于世俗欲望叙事创造了多组二元对立的关系。这确实是该作品情节发展的基本趋向。但是,在这一显性的叙事进程背后,还存在多条隐性的表意轨道。从表面的情节发展来看,叙述者站在相对客观的立场阐述了欲望主题;而在隐性的表意轨道上,则以《创世记》为原型文本,其中的神圣叙事与世俗叙事既互相排斥又互为补充。在明暗相映的多重叙事进程背后,体现了普希金对理想人格的探索、对世俗伦理的超越和对精神自由的追求。The evaluation of Pushkin's The Tale of the Fisherman and the Goldfish by Chinese and foreign academic circles has gradually formed an interpretative imprisonment:Based on desire narration,the works has shaped multiple groups of binary opposition,which is the basic trend of plot development indeed.However,there are many hidden ideographic tracks behind the plot.From the surface of the plot development,the narrator expounds the theme of desire from an objective standpoint relatively;on the hidden ideographic track,it takes Genesis as the prototype text,in which the sacred narrative and secular narrative are mutually exclusive and complementary.Behind the multiple light-shade narrative progressions,it reflects Pushkin's exploration of the ideal personality,the transcendence of secular ethics and the pursuit of spiritual freedom.

关 键 词：普希金《渔夫和金鱼的故事》 神圣叙事 世俗叙事 多重叙事进程 

分 类 号：I106.2[文学—世界文学]