一片冰心在玉壶——陈志峰花鸟画作品欣赏  

Appreciation of Chen Zhifeng’s Chinese Flower-and-Bird Paintings

作　　者：季超杰 张佳艺(译) Ji Chaojie;Zhang Jiayi

机构地区：[1]不详

出　　处：《国际人才交流》2023年第5期46-49,共4页International Talent

摘　　要：花鸟画是中国画传统画科之一,以花、鸟、虫等植物和动物为描绘对象,在中国绘画史上有着悠久的历史和深远的社会影响。花鸟画最早可以追溯到远古石器时代,中国先民们在岩壁、陶器上记录下他们对于自然万物的观察和理解。经过长期发展,到了唐代,花鸟画业已独立成科,臻于成熟,与人物画、山水画共同构成了中国传统绘学体系。工笔花鸟画精巧细致,追求写实;写意花鸟画粗放潇洒,注重神韵,虽然技法不同,但都体现了画家对大自然的热爱之情,无论艺术表现还是创作意境都深受人们的喜爱。Chinese flower-and-bird painting is one of the branches of traditional Chinese painting,depicting flowers,birds,insects and other plants and animals.It has a long history and far-reaching social influence in the history of Chinese panting.Chinese flower-and-bird painting can be traced back to the ancient Stone Age when the Chinese ancestors recorded what they observed and understood in nature on rock walls and pottery.After a long development period,by the Tang Dynasty,Chinese flower-and-bird painting had become an independent branch and matured.It constituted the traditional Chinese painting system together with figure painting and landscape painting.Claborate-style artwork of flower-and-bird is exquisite and meticulous,pursuing realism.On the other hand,freehand brushwork painting of flower-and-bird is natural and unrestrained,emphasizing verve.Although the techniques are different,they reflect the painters’love for nature and are deeply loved by the public for the artistic expression and creative mood.

关 键 词：工笔花鸟画 写意花鸟画 中国绘画史 作品欣赏 创作意境 画科 人物画 山水画 

分 类 号：J21[艺术—美术]