试论韩少功跨文体写作的思想渊源及实践表达  

On the Ideological Origin and Practical Expression of Han Shaogong's Cross-style

作　　者：王蕾 WANG Lei(School of Primary Education,Changsha Normal University,Changsha 410100,China)

机构地区：[1]长沙师范学院初等教育学院,湖南长沙410100

出　　处：《特立研究》2023年第1期80-88,共9页Teli Research

摘　　要：韩少功从不拘泥于某个固定的文学创作范式,总是在各种自我重塑中突破常规,形成了非常规化的韩式文风。20世纪80年代的韩少功与昆德拉的偶然“相遇”,被昆德拉打破常规、不拘一格、率性而为的写作勇气深深吸引。韩少功受昆德拉“存在”创作理论启发,终于突破原有创作模式,以“方言俗语”的“关键词”为纲,勘探存在下的文体变革与泛政治化记忆书写实践表达,站在时代最前沿远瞻,对社会和人性作出准确的批判和透视。Han Shaogong never sticked to a fixed‘paradigm"of literary creation.He usually broke through the routine by various self-reformation,forming an un-normalized Han style of writing.The Han Shaogong saw Kundera's book accidently in the 1980s.He was deeply attracted by Kundera's writing courage to break the rules,not stick to one pattern and follow his heart.Inspired by Kundera's creation theory of being",Han Shaogong finally broke through the original creation model,taking the key words"of"dialect sayings"as the outline,exploring the practical expression of stylistic change and pan-politicized memory writing under the existence,standing at the forefront of the times to make accurate criticism and understanding on society and human nature.

关 键 词：韩少功 跨文体写作 泛政治化 

分 类 号：I24[文学—中国文学]