铸牢中华民族共同体意识的视觉再现——以青海土族盘绣图案文化符号共享现象为例  

Investigation on Pan Embroidery Patterns of Tu Ethnic Group in Qinghai from the Perspective of Sharing Cultural Symbols of the Chinese Nation

作　　者：周莹[1] Zhou Ying

机构地区：[1]中央民族大学,北京100081

出　　处：《青海民族大学学报（社会科学版）》2023年第1期32-40,共9页Journal of Qinghai Minzu University：Social Sciences

摘　　要：青海土族盘绣承载着民族的集体文化记忆,具有强大的文化表意和文化传播功能。土族人民善于从周边民族文化中提取经典元素,转换成可视可感的符号,融入本民族传统服饰实践之中,实现了中华民族文化符号与意义的共享。在当前加强新时代中华文化认同思想根基、树立中华民族形象的背景下,以青海土族盘绣图案为视觉形象符号,共享个案的重新审视,探讨中华民族文化符号的共享、共通。在促进各民族优秀传统文化创新交融,加深中华文化认同、铸牢中华民族共同体意识方面具有积极的理论意义和实践指导价值。Pan embroidery of Tu ethnrc group in Qinghai carries the collective cultural memory of the nation,and has a strong function of cultural expression and cultural communication.The Tu people are good at extracting classic elements from the surrounding national culture,transforming them into visual and perceptible symbols,integrating them into the practice of Tu traditional costumes,and realizing the sharing of Chinese cultural symbols and significance.Under the background of strengthening the ideological foundation of Chinese cultural identity and establishing the image of the Chinese nation in the new era,through the review of national embroidery patterns and taking the pan embroidery patterns of Tu ethnrc group in Qinghai as the symbol case of visual image,this paper discusses the sharing and common use of Chinese cultural symbols,so as to promote the innovation and integration of excellent traditional cultures of all ethnrc group,Deepening Chinese cultural identity has positive theoretical significance and practical guiding value.

关 键 词：盘绣图案 视觉形象 中华民族文化符号共享 文化认同 

分 类 号：C956[社会学—民族学]