乡村振兴背景下桂西苗族蜡染的传承与创新研究  

Inheritance and Innovation of Miao Batik in West Guangxi under the Background of Rural Revitalization

作　　者：胡敏文 张晓帆 HU Minwen;ZHANG Xiaofan(School of Fine Arts and Design,Baise University,Baise 533000,China)

机构地区：[1]百色学院美术与设计学院,广西百色533000

出　　处：《鞋类工艺与设计》2023年第11期105-107,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：2022年广西壮族自治区创新训练项目《乡村振兴背景下桂西苗族蜡染的传承与创新实践》(项目编号:SA202210609022);2020年广西哲学社会科学规划研究课题《基于桂西少数民族图像生态意识解读及应用推广研究》(项目编号:20FMZ055)。

摘　　要：桂西苗族蜡染,省级非遗文化之一,拥有极高的艺术价值、欣赏价值与实用价值,以其独特的历史文化为世人称道的高雅脱俗的服饰图案。随着社会的发展和纺织品种类的不断丰富,人们对蜡染技术的关注越来越少,传统蜡染技术的传承已成为亟待解决的现实问题。从民族文化视角出发,在新媒体时代,采用蜡染工艺与文创产品相结合的新发展模式,以“互联网+”为载体,创新推广模式,致力于保护与传承苗族蜡染,并尝试运用专业知识对其进行再设计,使其再次焕发新的生命力。探索以苗族蜡染文化创新为主的生产力与乡村振兴之间的有效衔接,以此将蜡染工艺产品进行深度创新与发展。Miao nationality batik in western Guangxi,one of the provincial intangible cultural heritage,has a very high artistic value,appreciation value and practical value.With its unique history and culture for the world praised by the elegant and refined clothing patterns.With the development of society and the continuous enrichment of textile types,people pay less and less attention to batik technology,and the inheritance of traditional batik technology has become a practical problem to be solved urgently.From the perspective of national culture,in the era of new media,the new development mode of combining batik technology with cultural and creative products is adopted,and the"Internet+"promotion mode is innovated as the carrier.We are committed to the protection and inheritance of Miao batik,and try to use professional knowledge to redesign it,so as to make it glow with new vitality again.To explore the effective connection between productivity and rural revitalization based on the innovation of Miao batik culture,so as to carry out in-depth innovation and development of batik technology products.

关 键 词：乡村振兴 苗族蜡染 文化传承 艺术设计 

分 类 号：J523.2[艺术—艺术设计]