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作 者:戴志强 孙晓雯 Dai Zhiqiang;Sun Xiaowen
机构地区:[1]中国传媒大学脑科学与智能媒体研究院 [2]北京印刷学院新媒体学院 [3]中国传媒大学
出 处:《艺术传播研究》2023年第1期67-80,共14页Journal of Art Communication
基 金:国家社科基金项目“短视频时代专业课与大学生思政教育融合创新研究”(项目编号:21VSZ129)的阶段性成果。
摘 要:诗词是一种思维的听知觉表达。语言和文字传达着诗词思维的节奏与韵律,同时承载着诗词思维的具体内容。诗词的节奏和韵律表现与人类内心对节奏、韵律的天然感知相契合,形成独特的思维表达方式。人们可以感受到与诗词“互动”带来的艺术想象、沉浸体验和内心交互。诗词的视觉画面完型依赖作者的创作思维,而诗词的审美意象畅想则依赖欣赏者的审美素养,其间,格式塔的认知作用使诗词创作者的创作思维和诗词欣赏者的审美素养有机相连。诗词创作的过程就是营造与追求其艺术价值的过程,诗词思维的听知觉特性使诗词艺术的价值传播得以表达和彰显。Poetry is an auditory-perceptual expression of thinking.Language and words not only convey the rhythm and rhymebut also carry the specific content of poetic thinking.The prosody of poetry is in harmony with the corresponding natural perception of rhythm and rhyme in the human mind,forming a unique way of thought expression.People can feel the artistic imagination,immersive experience and internal interplay brought by the"interaction"with poetry.Visualization of a poem depends on the author's creative thinking,whereas the imagination of the poem relies on the aesthetics of the appreciator,and the Gestalt cognition connects the creative thinking of poetry creators and the aesthetics of poetry appreciators.The process of creating poetry is the process of creating and pursuing its artistic value,and the auditory-perceptual characteristics of poetic thinking enable the value communication of poetry to be manifested.
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