论鲁迅小说《伤逝》图像与文本的互动关系——以裘沙、王伟君黑白插图为例  

On the Interaction Between Images and Text in LU Xun′s Novel Regret for the Past—Taking the Black and White Illustrations by QIU Sha and WANG Weijun as an Example

作　　者：张鑫鑫 卢军[1] ZHANG Xinxin(College of Literature,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《洛阳理工学院学报（社会科学版）》2023年第3期62-66,共5页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：国家社会科学基金项目“鲁迅回忆录整理与‘鲁迅’形象的建构研究”(编号:20BZW182)的阶段性成果.

摘　　要：小说插图以其直观性诉诸视觉,推动了经典文本的图像阐释。裘沙、王伟君伉俪为《鲁迅之世界全集》所绘《伤逝》的黑白插图与小说文本产生互动,具体表现为人物形象的视觉重塑、典型环境的画面营构以及情节发展的图像孕育。画家从美术视域建构《伤逝》画面,为文本解读提供新角度,推动了小说《伤逝》的传播与接受。Illustrations in a novel,appealing to vision with its intuitiveness,promotes the image interpretation of classical texts.The black and white illustrations in the novel"Regret for the Past"drawn by the couple of QIU Sha and WANG Weijun for LU Xun′s World Collection,interact with the novel text,which are embodied in the visual remodeling of the characters,the picture construction of the typical environment and the image gestation of the plot development.The painter constructs the picture of"Regret for the Past"from the perspective of art,provides a new perspective for text interpretation,and promotes the dissemination and acceptance of the novel.

关 键 词：鲁迅 《伤逝》 图像阐释 作品插图 

分 类 号：I206.6[文学—中国文学]