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作 者:于琦 Yu Qi(School of Humanities and Communication,Hangzhou,Zhejiang Province,China;Institute for Western Culture and Literature,Zhejiang Gongshang University,Hangzhou,Zhejiang Province,China)
机构地区:[1]浙江工商大学人文学院,浙江杭州310018 [2]浙江工商大学西方文学与文化研究院,浙江杭州310018
出 处:《外国文学》2023年第3期86-97,共12页Foreign Literature
基 金:国家社科基金重大项目“人类命运共同体视域下的21世纪西方激进左翼文论批判研究”(20&ZD290);国家留学基金委项目资助(CSC202008330447)
摘 要:德勒兹对梅尔维尔《抄写员巴特比》的解读聚焦在巴特比句式“我宁愿不”之上,把小说视为这一句式的物质性展开。他旨在进行一种语用学解读,探讨这篇小说暗含的一种理论指向,即少数用法的文学。借助分析文学语言的少数用法,以特殊性打破系统的同质性和单一性,挖掘文学在当代社会的革命潜能,明确瓦解旧秩序和挑战权力的可能性。德勒兹达成了质疑和动摇一切成规的理论目标,也开启了一种对文学进行语用学解读的新模式,打开了文学研究的新空间。Deleuze's reading of"Bartleby,the Scrivener"differs from the approaches of merely social or political interpretations.He focuses on Bartleby's formula"I prefer not to,"then renders the literary text as a material body of it.Deleuze conducts a pragmatic reading,delving into the text's theoretical dimension of minor use.He clears up the implied revolutionary power of the story and points out the new possibilities of challenging the status quo.The minor use emphasizes variations and multiplicities,which detach a language's regularly gridded territory and operate imbalance and re-opening of the system.Deleuze's approach to the pragmatic reading of literary texts deserves more attention and further study.
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