谷川雁的诗与共同体思想  

The Poetry of Tanigawa Gan and the Idea of"Community"

作　　者：高华鑫 Gao Huaxin(Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing,China)

机构地区：[1]中国社会科学院外国文学研究所,北京100732

出　　处：《外国文学》2023年第3期124-135,共12页Foreign Literature

基　　金：国家社科基金青年项目“日本战后文艺批评中的左翼传统研究”(20CWW004)。

摘　　要：在20世纪50至60年代的日本文化界,谷川雁是一位颇具影响力的知识分子。他的诗作拓宽了战后诗歌的边界,将现代主义的形式实验与左翼文学的政治意识熔于一炉。针对文学界与大众的距离,他推动地方民众文化社团的发展,以塑造新的文化主体。共同体是谷川雁的核心理念,他认为被资本主义破坏的“亚细亚共同体”恰恰包含通向社会主义的潜能,通过有组织的文学和社会活动,民众可以批判地继承共同体传统,克服自身的异化。谷川雁的文学与行动,关联着现代东亚文学与思想史中的诸多重要课题。Tanigawa Gan was an influential cultural figure in Japan during the 1950s and 1960s.His works broadened the horizon of post-war Japanese poetry,blending the formal experiments of modernism with the left-wing political consciousness.In view of the estrangement between the literary world and the public,he promoted the development of civic cultural associations,in order to create new subjects of Japanese culture."Community"is a keyword for Tanigawa,who believes that the"Asiatic community"destroyed by capitalism contains the potentiality to construct socialism.He encourages the grassroots to critically inherit the tradition of Japanese communities,and to overcome their own alienation through organized movements.His writings and activities relate to many important topics in the literary and intellectual history of modern East Asia.

关 键 词：谷川雁 战后诗 民众文化团体 亚细亚共同体 

分 类 号：I313[文学—其他各国文学]