沉默的可能性:《纽约三部曲》中布朗肖文学观之探究  

On Blanchot's Literary Views in The New York Trilogy

作　　者：夏寒 Xia Han(School of Foreign Languages,Ningbo University Technology,Ningbo,Zhejiang Province,China)

机构地区：[1]宁波工程学院外国语学院,浙江宁波315211

出　　处：《外国文学》2023年第3期146-156,共11页Foreign Literature

摘　　要：美国作家保罗·奥斯特的文学创作深受法国思想家布朗肖的影响,其代表作《纽约三部曲》便是对后者以沉默为中心的文学观的一次虚构化实践。该小说以“文学的真相是什么”这一关于文学自身存在的高度自我指涉的问题为核心命题,是对何为理想的语言、理想的作者与理想的作品具有哲学意味的文学探索。它以揭示文学语言的沉默本质为切入点,呈现了沉默所具有的创造性的否定力量,也使语言拥有了表达无限语义的潜能;在此基础上,作者藏匿于书写行为中,创造出布朗肖意义上的悖论式的理想作品。在卸下表达绝对意义的束缚后,作品向无穷的可能性敞开自身,具有了更加丰富的创造性。The writings of American writer Paul Auster are deeply influenced by the French writer,philosopher,and literary theorist Maurice Blanchot.Auster's most famous novel The New York Trilogy fictionalizes Blanchot's literary views,of which silence takes a central place.Focusing on"what is the truth of literature,"a self-reflexive question about the existence of literature itself,The New York Trilogy is a literary and philosophical exploration of what constitutes the ideal language,the ideal author and the ideal work.It begins with the revelation of the silent nature of literary language in demonstrating the creativity of silence's negative force,which also endows language with the potential for infinite meanings.In so doing,the author hides the self in the act of writing,producing an ideal Blanchotian paradoxical work.Freeing itself from the pursuit of absolute meaning,the work accommodates infinite possibilities,and is thus endowed with more creativity.

关 键 词：《纽约三部曲》 奥斯特 布朗肖 沉默 

分 类 号：I712[文学—其他各国文学]