从软弱到勇敢:品特笔下的女性人物形象变迁  

Weakness to Courage:The Transformation of Female Characters in Pinter's Works

作　　者：肖文平[1] XIAO Wenping(Foreign Language and Tourism Department,Guilin Normal College,Guilin Guangxi,541199,China)

机构地区：[1]桂林师范高等专科学校外语与旅游系,广西桂林541199

出　　处：《文化创新比较研究》2023年第12期21-25,共5页Comparative Study of Cultural Innovation

基　　金：广西高校中青年教师科研基础能力提升项目“生态女性主义视域下的品特戏剧研究”(项目编号:2022KY0931)阶段性成果。

摘　　要：作家的创作离不开其生活的社会大环境,英国荒诞派作家哈罗德·品特亦如此。他的作品前后跨越将近50年,虽然在品特笔下,女性不是主要人物,但随着社会大环境的变化发展,尤其是随着女权主义的不断发展,品特笔下的女性人物也经历了从软弱到勇敢这一动态的变化发展过程,具体体现在:女性的话语权从最初的被剥夺发展到积极争取,女性的身体行为从逆来顺受到不卑不亢,女性的身份建构也从模糊逐渐到清晰。这种积极的变化过程是社会进步的结果,但同时品特作品也存在着一定的历史局限性,即作者偏向从男性视角出发,且女性人物的身份过于单一。Writers'creation can not be separated from the social environment in which they live,so can the absurd writer Harold Pinter.His works span nearly fifty years.Although women are not the main characters in his works,with the development of society,especially with the development of feminism,the female characters in Pinter's works have also undergone a dynamic process of change and development from weakness to bravery.Specifically,the development of women's discourse power from being deprived to actively striving for it,and women's physical behavior from being obedient to being neither humble nor arrogant.The construction of female identity has shifted from ambiguity to clarity.This positive process of change is the result of social progress,but at the same time,Pinter's works also have certain historical limitations,that is,the author tends to start from a male perspective,and the identity of female characters is too single.

关 键 词：品特戏剧 女性形象 女性主义 软弱 勇敢 形象变迁 

分 类 号：I1[文学—世界文学]