民族风变装视频中的形式模仿与记忆传承——以朱铁雄国风变装视频与少数民族变装视频为例  

The Form Imitation and Memory Inheritance in the Ethnic Cross-Dressing Videos—Taking Zhu Tiexiong's National Style Cross-Dressing Videos and Ethnic Minority Cross-Dressing Videos as Examples

作　　者：郭雨欣 杨喻清 GUO Yuxin;YANG Yuqing(School of Chinese Ethnic Minority Languages and Literatures,Minzu University of China,Beijing,100071,China)

机构地区：[1]中央民族大学中国少数民族语言文学学院,北京100071

出　　处：《文化创新比较研究》2023年第11期109-113,共5页Comparative Study of Cultural Innovation

基　　金：中央民族大学2022年研究生教育教学改革项目《以项目式教学培育研究生新媒体素养和跨学科交叉能力》(项目编号:GRSJYGG007)。

摘　　要：2022年,朱铁峰国风变装视频与少数民族变装视频在网上受到极大关注。它们能从过去简单吸引眼球的变装视频中脱颖而出,离不开变装视频的前期铺垫。处于发展前期阶段的变装视频完善了民族风变装视频的呈现形式,但民族风变装视频受到关注的核心在于各民族有对本民族文化传承的需要。它们本身成为回忆的载体,创造了一个记忆的栖居之地,打断了功能记忆到存储记忆的走向,增强了文化自信,也加深了中华民族的身份认同意识。该文在变装视频的脉络中具体讲述民族风变装视频的发展特征,通过分析其形式的模仿与记忆传承方式,对其未来走向提出一点看法。In 2022,Zhu Tiefeng's national style cross-dressing videos and ethnic minority cross-dressing videos received great attention online.They can stand out from the simple and eye-catching cross-dressing videos in the past,and can not be separated from the preliminary preparation of cross-dressing videos.The early cross-dressing videos have improved the presentation form of ethnic minority cross-dressing videos,but the core of the latter is that each nation has the need to inherit its own culture.They have become the carrier of memories,creating a place for memory to live,interrupting the trend from functional memory to storage memory,enhancing cultural self-confidence,and deepening the sense of identity of the Chinese nation.In the context of cross-dressing video,this article will specifically describe the development characteristics of cross-dressing videos with national style,and put forward some views on its future trend by analyzing its form of imitation and memory inheritance.

关 键 词：朱铁峰国风变装视频 少数民族变装视频 形式模仿 记忆载体 记忆传承 文化记忆 

分 类 号：G206[文化科学—传播学] G05