山水画布局、现代建筑空间与民居形式的融合——20世纪50—70年代桂林风景建筑研究及其教学运用  

The Integration of Landscape Painting Layout,Modern Architectural Space and Dwelling Form:Research on Guilin Landscape Architecture in 1950-1970s and Their Application in Teaching

作　　者：姚冬晖 银颖 

机构地区：[1]浙江工业大学设计与建筑学院

出　　处：《建筑与文化》2023年第6期25-27,共3页Architecture & Culture

基　　金：浙江省自然科学基金探索项目(项目编号:LY21E080019);教育部人文社会科学研究规划基金项目(项目编号:20YJAZH120)。

摘　　要：文章以一批受到现代建筑设计思想影响的中国本土建筑师在桂林的风景建筑实践为例,提炼设计手法中对山水画布局、现代建筑空间和民居形式的吸收与运用,将其作为方法示范融入现代风景建筑教学之中,并以某一度假酒店设计的教学案例为例,营造环境和谐、空间丰富、造型融合的现代风景建筑,以期为当下的风景建筑教学和实践提供借鉴与启示。This paper takes the practice of landscape architecture in Guilin by a group of local Chinese architects influenced by modern architectural design ideas as an example,distills the absorption and application of landscape painting layout,modern architectural space and dwelling form in the design approach,and integrates them into the teaching of modern architecture as a methodological demonstration.The teaching case of a resort hotel design is also used as an example to create a modern landscape architecture with harmonious environment,rich space and fusion of forms,in order to provide reference and inspiration for the teaching and practice of landscape architecture nowadays.

关 键 词：现代风景建筑教学 桂林风景建筑 山水画布局 现代建筑空间 民居形式 

分 类 号：TU201-4[建筑科学—建筑设计及理论] G642[文化科学—高等教育学]