水浒的融入:两部清代《金瓶梅》传奇戏曲考述  

The Integration of Water Margin:A Study of Legendary Plays in Jin Ping Mei of Qing Dynasty

作　　者：孙越 SUN Yue(College of International Culture Exchange,Hebei Normal University,Shi jiazhuang,Hebei 050024,China)

机构地区：[1]河北师范大学国际文化交流学院,河北石家庄050024

出　　处：《平顶山学院学报》2023年第3期40-45,共6页Journal of Pingdingshan University

基　　金：河北省高等学校人文社会科学研究年度青年基金项目“《金瓶梅》跨文体改编研究”(SQ2022013)。

摘　　要：郑傅本和傅图本是清代两部有关《金瓶梅》题材的传奇戏,分别收藏在中国国家图书馆和傅斯年图书馆,又见于《古本戏曲丛刊》和《俗文学丛刊》。两剧版式行款相同,卷数相连且情节前后贯穿、照应,应为同一部《金瓶梅》戏曲残存的前三卷部分。剧中所引水浒戏有《双飞石》和其他佚名戏曲,其中《双飞石》的部分情节存在改写现象,而所引《金瓶梅》戏曲的具体剧目尚待进一步考证。剧中各出戏的顺序安排和两条叙事线索的情节发展相互对应。此剧作者有意尝试使用两条叙事线索,在正反对比中宣扬贞洁观念。水浒的融入成为清代《金瓶梅》戏曲值得关注的一种改编现象。Zheng Fu version and Fu Library version are two legendary plays on the theme of Jin Ping Mei in the Qing Dynasty,which are collected in the National Library of China and the Fu Sinian Library respectively,and also collected in the Series of Ancient Operas and the Series of Fork Literature.The formats of the two plays are the same,the number of volumes is connected and the plot runs through and corresponds to each other,which should be the remaining first three volumes of the same drama Jin Ping Mei.The Water Margin play quoted in the drama included Double Stone and other anonymous play.The specifie repertoire of the quoted Jin Ping Mei opera needs further research.The sequence of the plays and the development of the two narrative lines corre-spond to each other.The author deliberately tries to use two narrative lines to promote the concept of chastity in the positive and negative contrast.The integration of the Water Margin has become an adapt ation phenomenon worthy of attention in the play of Jin Ping Mei in the Qing Dynasty.

关 键 词：《金瓶梅》 水浒 郑傅本 傅图本 传奇 

分 类 号：I207.37[文学—中国文学]