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作 者:王永[1] 温佳静 WANG Yong;WEN Jia-jing(School of Humanities and Law,YanShan University,Qinhuangdao 066004,China)
出 处:《唐山师范学院学报》2023年第2期38-43,50,共7页Journal of Tangshan Normal University
基 金:2021年河北省文化艺术科学规划项目(HB21-YB131)。
摘 要:北野的诗歌集中书写苍莽的“燕山”“北国”,既有着燕赵诗歌的美学蕴涵,又保持着自身的创作特色。回望诗歌界对于北野创作的研究,可以发现对其诗歌的研究随着时间推移而不断延伸和深入。通过“作为燕赵七子的北野”“作为满族诗人的北野”以及“作为燕山之子的北野”三个层面,对北野诗歌研究现状做系统梳理和综合评述,以期挖掘北野诗歌的思想价值和时代意义,同时试图在前人研究的基础上探寻更为宽广的阐释空间,促进北野诗歌研究深入发展。Beiye’s poems focus on the writing of wild“Yanshan mountain”and“the north of China”,which not only have the aesthetic implication of Yan Zhao poetry,but also maintain its own creative characteristics.Looking back at the study of Beiye’s Poetry,it is found that the study of his poetry has been extended and deepened over time.Starting from the perspectives of“Beiye as the one of the seven poets of the Yanzhao land”,“Beiye as a manchu poet”and“Beiye as the son of Yanshan”,a systematic review and comprehensive comment are made on the research status of Beiye’s poetry to explore the ideological value and the era significance of his poetry.At the same time,it tries to explore a wider space of interpretation on the basis of previous studies so as to promote the in-depth development of the study of Beiye’s poetry.
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