日本学者村上哲见的唐五代词研究  

On the Ci-Poetry of Tang and Five Dynasties by Japanese Scholar Tetsumi Murakami

作　　者：杨操 邱美琼 YANG Cao;QIU Meiqiong(School of Liberal Arts,Yunnan Normal University,Kunming,Yunnan 650500)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《绍兴文理学院学报》2023年第5期102-109,共8页Journal of Shaoxing University

基　　金：国家社会科学基金项目“日本学者的中国词学研究”(20BZW115)。

摘　　要：村上哲见的唐五代词研究主要体现在三个方面:一是探讨了词体源流的相关论题;二是对中唐的词进行探讨,对本身是绝句而被看作歌辞的作品和由诗人创作非诗长短句的词进行了辨析;三是着眼于西蜀词和南唐词这两大五代词群体,对五代词的发展脉络进行了讨论。村上哲见的唐五代词研究,在词学通论性研究方面有诸多创见,体现出其“诗词贯通”的基本学术思想和以实证为基、重视对比研究的特征。但瑕瑜互见,村上的唐五代词研究过度强调词的发展演变与艺术特征,对具体词人、词作思想内容的考察较为缺乏,历来深受推崇的李煜词未有深入论及不免有所缺憾。Murakami Tetsuomi’s study of the Ci-poetry of the Tang and Five dynasties consists of three aspects:first,the discussion of the origins of the genre itself;second,the examination of the Ci-poetry of the Mid-tang dynasty,identifying those works regarded as songs and those written by poets who do not write poetic phrases;third,the exploration of the development of the Ci-poetry in the Five dynasties represented by those written both in the Five dynasties and in the Western Shu.Murakami’s study of the Ci-poetry has made a number of innovations in the general study of lyricism,reflecting his basic academic thought that“poetry and lyrics are integrated”and his research characteristics of empirical and comparative studies.It is a pity that Murakami’s study overemphasizes the development and artistic characteristics of the lyrics,without an examination of the ideological content of the lyrics of specific lyricists,especiallythose lyrics by Li Yu,which have always been highly regarded.

关 键 词：村上哲见 唐五代词 词体源流 中唐词 五代词群体 

分 类 号：I207.8[文学—中国文学]