密斯·凡·德·罗建造艺术理念的二元思辨--作为原型的柏林新国家美术馆  

The Binary Thinking in Mies van der Rohe's Building Art:The Berlin New National Gallery as a Prototype

作　　者：宋雨 Song Yu

机构地区：[1]大连民族大学建筑学院 [2]清华大学建筑学院

出　　处：《城市建筑》2023年第9期139-143,175,共6页Urbanism and Architecture

摘　　要：文章以柏林新国家美术馆为切入点,在二元思辨的视角下搭建了一种层级化的概念框架,以此解读密斯·凡·德·罗的建造艺术理念。研究认为:柏林新国家美术馆中,日神与酒神两种艺术冲动的统一,构成了该建筑的精神性价值;价值和实用目的的统一,构成了密斯所谓的“建造艺术”;最后,建造艺术与所处时代的技术产生联系,共同形成一种符合时代潮流的建筑文化,而新国家美术馆作为一个符合时代的建筑文化原型,体现了密斯对于建筑本质和真理的追问。Focusing on Berlin New National Gallery,the paper aims to create a new hierarchy of conceptual framework from a perspective of binary thinking,in order to illustrate Mies van der Rohe's theories of building art.The study shows that a unity between Apollonian and Dionysian artistic drives constitutes the spiritual values of this building.Then,a unity between values and practical purposes forms Mies building art.Finally,the building art communicates with the technology of this era to construct a culture of building for new times.The New National Gallery becomes a prototype for this era's building culture,presenting Mies'pursue to the nature and truth of architecture.

关 键 词：密斯·凡·德·罗 新国家美术馆 二元思辨 建造艺术 原型 

分 类 号：TU-86[艺术—艺术设计]