“黄石”与晚明文人园林的“画意”变革  

“Yellow Stone”and the Aesthetic Transition of Literati Gardens in Late Ming Dynasty

作　　者：邵星宇[1] SHAO Xingyu

机构地区：[1]东南大学建筑学院,南京210096

出　　处：《建筑学报》2023年第5期89-94,共6页Architectural Journal

摘　　要：从营造手法和审美观念两个角度,对黄石假山在晚明兴起及发展的技术背景、历史进程进行梳理,并指出正是借助文人“画意”的深度介入,黄石作为一种新兴的假山类型,在17世纪的前30年间(明代万历末期至崇祯初期)迅速成熟并开始广泛流行于江南地区的文人园林中,同时也深刻改变了之后中国传统园林的面貌。From the perspectives of aesthetic ideas and construction methods,this paper traces the technical background and the historical process of the emergence of yellow stone artificial mountain in late Ming dynasty,and points out that it is precisely because of the deep intervention of the theory of literati paintings that yellow stone rockery,as a new type of artificial mountains,rapidly matured and became widely popular in literati gardens in Jiangnan region during the first 30 years of the 17th century(from the late Wanli period to the early Chongzhen period),which profoundly changed the appearance of traditional Chinese gardens.

关 键 词：黄石假山 文人园林 晚明 “画意”变革 

分 类 号：TU986[建筑科学—城市规划与设计]