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作 者:周宇超 Zhou Yuchao
机构地区:[1]浙江大学艺术与考古学院,浙江杭州310058
出 处:《南京艺术学院学报(美术与设计)》2023年第3期1-8,I0002,共9页Journal of Nanjing Arts Institute:Fine Arts & Design
基 金:中央高校基本科研业务费项目专项资助《〈阆苑女仙图〉研究》(2050205-22-688)阶段性研究成果。
摘 要:故宫博物院藏《阆苑女仙图》的成画年代,至今仍歧见纷呈。本文通过对画学著录的梳理及考证,确证了“卞永誉本”的存在事实及递藏轨迹,以及其他四本画学著录中的版本问题;进而,基于对画中女仙和侍女的衣冠服饰形制及演变过程的梳理和对画中笔法风格的分析考证,认为此画当为南宋时人创作。There are still different opinions on the painting of Female Immortals collected by the Palace Museum.By sorting out the descriptions recorded in art bibliography,this paper conducts textual research on the version issues that occurred during the circulation of this painting and confirms the existence and the path of delivery and collection of"Bian Yongyu's edition",as well as the version problems of the other four Art study books.Further more,by studying the shape and change process of the clothes of the fairies and maids in the painting,and then through the analysis and textual research of the stroke style in the painting,it is believed that this painting should be created by people in the Southern Song Dynasty.
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