从地下遗存看文明起源中的太阳鸟旋纹与太极图像渊源  

The Sunbird Pattern on Potteries of Underground Remains and the Origin of Yin-Yang Tai Chi Diagram in the Neolithic Age of China

作　　者：屈谱 Qu Pu

机构地区：[1]兰州大学历史文化学院,甘肃兰州730030

出　　处：《南京艺术学院学报（美术与设计）》2023年第3期9-13,I0002,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：甘肃省教育厅优秀研究生“创新之星”项目《从恐惧宗教到宇宙宗教:道教起源中的信仰演变研究》(2022CXZX-009)阶段性研究成果。

摘　　要：阴阳观念的产生与太阳运行有关,阴阳概念、阴阳交互变化是太阳光照与否、位置不同及其对应的季节流转的抽象表达。太极图的最初形态并非阴阳理论哲学化之后的产物,而是和阴阳观念一样都是太阳运行现象的体现,其雏形是太阳鸟纹抽象化之后的旋转纹(对鸟旋纹),是太阳鸟飞翔行为所代表的日夜交替、季节流转现象的图像表达。Like the concept of Yin-Yang,the Yin-Yang Tai Chi diagram arose in connection with early people's concern for the sun's operation in their agricultural activities.The concept of Yin-Yang and the interaction of Yin-Yang were abstract expressions of the difference in light and position of the sun and its corresponding flow of seasons.The prototype of the Tai Chi diagram is a rotating pattern(pair of bird spinning patterns)after the abstraction of a pair of sun bird patterns,which is a pictorial expression of the phenomenon of alternation of day and night and the flow of seasons represented by the flight of the sun bird.

关 键 词：阴阳鱼太极图 太阳崇拜 太阳鸟 彩陶纹饰 

分 类 号：J525[艺术—艺术设计]